TheSans C4s SemiBold Italic Web

Waterfall

72 px

The quick brown fox jumps over a lazy dog. Filmquiz bracht knappe ex-yogi van de wijs. Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich.

60 px

The quick brown fox jumps over a lazy dog. Filmquiz bracht knappe ex-yogi van de wijs. Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich.

48 px

The quick brown fox jumps over a lazy dog. Filmquiz bracht knappe ex-yogi van de wijs. Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich.

36 px

The quick brown fox jumps over a lazy dog. Filmquiz bracht knappe ex-yogi van de wijs. Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich.

28 px

The quick brown fox jumps over a lazy dog. Filmquiz bracht knappe ex-yogi van de wijs. Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich.

22 px

The quick brown fox jumps over a lazy dog. Filmquiz bracht knappe ex-yogi van de wijs. Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich.

Text Setting

IN BERLIN, MUNCH BECAME involved in an international circle of writers, artists and critics, including the Swedish dramatist and leading intellectual August Strindberg, whom he painted in 1892. During his four years in Berlin, Munch sketched out most of the ideas that would comprise his major work, The Frieze of Life, first designed for book illustration but later expressed in paintings. He sold little, but made some income from charging entrance fees to view his controversial paintings. Already, Munch was showing a reluctance to part with his paintings, which he termed his “children”.

His other paintings, including casino scenes, show a simplification of form and detail which marked his early mature style. Munch also began to favor a shallow pictorial space and a minimal backdrop for his frontal figures. Since poses were chosen to produce the most convincing images of states of mind and psychological conditions, as in Ashes, the figures impart a monumental, static quality. Munch’s figures appear to play roles on a theatre stage (“Death in the Sick-Room”), whose pantomime of fixed postures signify various emotions; since each character embodies a single psychological dimension, as in “The Scream”, Munch’s men and women began to appear more symbolic than realistic. He wrote, “No longer should interiors be painted, people reading and women knitting: there would be living people, breathing and feeling, suffering and loving.”

Character Set

Only encoded characters are shown here. The font may contain more glyphs that are accessible through OpenType layout features.

16px

 AÀÁÂÃÄĀĂÅǺĄǍÆǼBCĆĈČĊÇDĎÐĐEÈÉÊĚËĒĔĖĘƏFGĜĞĠĢǦHĤĦIÌÍÎĨÏĪĬİĮǏIJJĴKĶǨLĹĽĻŁĿMNŃŇÑŅŊOÒÓÔÕÖŌŎŐƠǑØǾŒPÞQRŔŘŖSŚŜŠŞȘTŤȚŢŦUÙÚÛŨÜŪŬŮŰŲƯǓǕǗǙǛVWŴXYÝŶŸZŹŽŻaàáâãäāăåǻąǎæǽbcćĉčċçdďðđeèéêěëēĕėęếəfgĝğġģǧhĥħiìíîĩïīĭıįǐijjȷĵkķǩĸlĺľļłŀmnńňñņŋʼnoòóôõöōŏőơǒøǿœpþqrŕřŗsśŝšşșßſtťțţŧuùúûũüūŭůűųưǔǖǘǚǜvṿwŵxyýŷÿzźžżªºΔΩμπ.,:;!¡?¿'"ʼ«»/|¦\-_·*°()[]{}§&@©®#¤฿0123456789$¢£¥ƒ¹²³½¼¾%+×÷=<>±¬ʘµ ^~`̀´́ˆˇ̕˜̃¨¯ˉ˘˚˝˙̣̇¸̧̦˛̒̉

OpenType Layout Features

Contextual Alternates

2:0 -> gjy
▶︎
2:0 -> gjy

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j y - ->> -> [-> ==> => <-] <-< <-> <== <=> <<- <- <= >->
j y - ->> -> [-> ==> => <-] <-< <-> <== <=> <<- <- <= >->

Capital Spacing

ALL CAPS
▶︎
ALL CAPS

Case-sensitive Forms

¡H(A-B)»
▶︎
¡H(A-B)»

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ª º ¡ ¿ « » - · ( ) [ ] { } § @ ` ´ ˆ ˇ ˜ ¨ ˉ ˘ ˚ ˝ ˙ ̉
ª º ¡ ¿ « » - · ( ) [ ] { } § @ ` ´ ˆ ˇ ˜ ¨ ˉ ˘ ˚ ˝ ˙ ̉

Denominators

Smaller inferior figures.

Hagb 123
▶︎
Hagb 123

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0 1 2 3 4 5 6 7 8 9 ¹ ² ³ ½ ¼ ¾
0 1 2 3 4 5 6 7 8 9 ¹ ² ³ ½ ¼ ¾

Discretionary Ligatures

Activates additional ligatures.

star actor
▶︎
star actor

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Rp ch ck ct fij fij ij ij sp st t tfij tfi tfij ttf tti tf ti tt
Rp ch ck ct fij fij ij ij sp st t tfij tfi tfij ttf tti tf ti tt

Fractions

Hagb 1/2 3/4
▶︎
Hagb 1/2 3/4

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. , : ; / - ( ) [ ] { } ¤ 0 1 2 3 4 5 6 7 8 9 ¹/ ¹⁄ ¹ ² ³ + × ÷ =
. , : ; / - ( ) [ ] { } ¤ 0 1 2 3 4 5 6 7 8 9 ¹/ ¹⁄ ¹ ² ³ + × ÷ =

Historical Forms

Replaces s with long s.

Buchstabe
▶︎
Buchstabe

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s
s

Kerning

HAT.
▶︎
HAT.

Numerators

Smaller superior figures.

Hagb 123
▶︎
Hagb 123

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0 1 2 3 4 5 6 7 8 9 ¹ ² ³ ½ ¼ ¾
0 1 2 3 4 5 6 7 8 9 ¹ ² ³ ½ ¼ ¾

Scientific Inferiors

Replaces figures (sometimes also letters) with a smaller form, shifted below the baseline.

Hagb 123
▶︎
Hagb 123

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. , : ; - ( ) [ ] { } ¤ 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ ¹ ² ³ + × ÷ =
. , : ; - ( ) [ ] { } ¤ 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ ¹ ² ³ + × ÷ =

Small Capitals

Replaces lowercase letters with small capitals.

Hamburge 2356
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Hamburge 2356

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a æ b c d ð đ e ə f g h ħ i ij j ȷ k l ł ŀ m n ŋ o ø œ p þ q r s t ŧ u v w x y z ª º ` ´ ˆ ˇ ˜ ¨ ˉ ˘ ˚ ˝ ˙ ̉
a æ b c d ð đ e ə f g h ħ i ij j ȷ k l ł ŀ m n ŋ o ø œ p þ q r s t ŧ u v w x y z ª º ` ´ ˆ ˇ ˜ ¨ ˉ ˘ ˚ ˝ ˙ ̉

Small Capitals From Capitals

Replaces also uppercase letters with small capitals, in addition to all the other small-caps-fitting glyphs.

HAMBURGE 2356
▶︎
HAMBURGE 2356

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A Æ B C D Ð Đ E Ə F G H Ħ I IJ J K L Ł Ŀ M N Ŋ O Ø Œ P Þ Q R S T Ŧ U V W X Y Z ª º ! ¡ ? ¿ / \ ( ) [ ] { } § & @ # 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ %
A Æ B C D Ð Đ E Ə F G H Ħ I IJ J K L Ł Ŀ M N Ŋ O Ø Œ P Þ Q R S T Ŧ U V W X Y Z ª º ! ¡ ? ¿ / \ ( ) [ ] { } § & @ # 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ %

Standard Ligatures

Replaces two or more letters with one ligature.

fine flute
▶︎
fine flute

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ffi fi ffb fff ffh ffj ffȷ ffk ffl fb ff fh fj fk fl ... !!
ffi fi ffb fff ffh ffj ffȷ ffk ffl fb ff fh fj fk fl ... !!

Stylistic Alternates

a 1
a 1

Stylistic Set 1: Alternate a, &, and arrows

Calligraphy & Lettering →
▶︎
Calligraphy & Lettering →

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a | &
a | &

Stylistic Set 2: Alternate g, y, &, and arrows

Calligraphy & Lettering →
▶︎
Calligraphy & Lettering →

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g j y &
g j y &

Stylistic Set 3: Footless l; alternate & and arrows

Calligraphy & Lettering →
▶︎
Calligraphy & Lettering →

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l ł ŀ &
l ł ŀ &

Stylistic Set 4: Alternate &

Calligraphy & Lettering
▶︎
Calligraphy & Lettering

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&
&

Stylistic Set 5: Å with attached ring; alternate &

Å&Ø
▶︎
Å&Ø

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Å &
Å &

Stylistic Set 6: Alternate Q and &

Q&A
▶︎
Q&A

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Q &
Q &

Stylistic Set 7: Alternate Q and &

Q&A
▶︎
Q&A

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Q &
Q &

Stylistic Set 8: Alternate Q

Great Quake
▶︎
Great Quake

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Q
Q

Stylistic Set 9: Alternate G

Great Quake
▶︎
Great Quake

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G
G

Stylistic Set 10: J with descender

Jawbox
▶︎
Jawbox

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IJ J
IJ J

Stylistic Set 11: 1 with foot

1978 El Torino
▶︎
1978 El Torino

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1 ¹
1 ¹

Stylistic Set 12: Low lining figures

1978 El Torino
▶︎
1978 El Torino

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# 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ %
# 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ %

Stylistic Set 13: I and J with bar

IJsselmeer
▶︎
IJsselmeer

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I IJ J
I IJ J

Stylistic Set 15: Alternate arrows

Stylistic Set 16: Titling fractions

¹ ² ³ ½ ¼ ¾
¹ ² ³ ½ ¼ ¾

Stylistic Set 17

ß ª º { } § @ # ` ´ ˆ ˜ ¨ ˉ ˘
ß ª º { } § @ # ` ´ ˆ ˜ ¨ ˉ ˘

Stylistic Set 18: Slashed $ and ¢

$21 ¢99
▶︎
$21 ¢99

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$ ¢
$ ¢

Stylistic Set 19: Number pad arrows

0 1 2 3 4 5 6 7 8 9 ¹ ² ³
0 1 2 3 4 5 6 7 8 9 ¹ ² ³

Subscript Figures

Replaces figures (sometimes also letters) with a smaller form, shifted below the baseline.

Hagb 123
▶︎
Hagb 123

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. , : ; - ( ) [ ] { } ¤ 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ ¹ ² ³ + × ÷ =
. , : ; - ( ) [ ] { } ¤ 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ ¹ ² ³ + × ÷ =

Superscript Figures

Replaces figures (sometimes also letters) with a smaller form, shifted above the baseline.

Hagb 123
▶︎
Hagb 123

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a b c d e f g h i j k l m n o p q r s t u v w x y z . , : ; - ( ) [ ] { } ¤ 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ + × ÷ = `
a b c d e f g h i j k l m n o p q r s t u v w x y z . , : ; - ( ) [ ] { } ¤ 0 1 2 3 4 5 6 7 8 9 $ ¢ £ ¥ ƒ + × ÷ = `

Swashes

Rawhide
▶︎
Rawhide

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R
R

Titling Alternates

¹ ² ³ ½ ¼ ¾
¹ ² ³ ½ ¼ ¾

Slashed Zero

Activates the slashed form of dollar and cent.

$21 ¢99
▶︎
$21 ¢99

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$ ¢
$ ¢

Supported Orthographies

How to embed LucasFonts’ webfonts

/* Copy the following code into your CSS file */

@font-face {
    font-family: 'TheSansC4s-SemiBoldItalicWeb';
    src: url('TheSansC4s-6iSemiBoldIta.woff2') format('woff2'),
         url('TheSansC4s-6iSemiBoldIta.woff') format('woff');
    font-display: swap;
}

body {
    font-family: "TheSansC4s-SemiBoldItalicWeb", Verdana, sans-serif;
    font-feature-settings:         'kern' 1, 'liga' 1, 'calt' 1, 'locl' 1;
    -webkit-font-feature-settings: 'kern' 1, 'liga' 1, 'calt' 1, 'locl' 1;
    -moz-font-feature-settings:    'kern' 1, 'liga' 1, 'calt' 1, 'locl' 1;
    -ms-font-feature-settings:     'kern' 1, 'liga' 1, 'calt' 1, 'locl' 1;
    -o-font-feature-settings:      'kern' 1, 'liga' 1, 'calt' 1, 'locl' 1;
}

High quality screen performance

Due to the various rasterizers that are at work inside the different operating systems, webfonts will not be displayed with the same consistent quality across different browsers. To ensure optimal on-screen performance in all browsers, our webfonts are carefully hinted. LucasFonts has decades of combined experience in producing high-quality fonts in various formats for use on screen.